Actually, I still play my electronic organ. It's a Technics F5, full console style, and it conforms to the MIDI standard (though I have not tried to do anything with that). There used to be some YouTube recordings from a fellow who played a Technics F5 but a lot of them have been pulled because he went commercial with them.
When I play, it is the old Broadway stuff, but I'll also do rock, ballads, and some light classical. As to "anything that comes from an actual musical instrument" - trust me, it is an actual musical instrument. My personal playing style is a mix of Earl Grant (whom I never met) and Eddie Baxter (whom I met more than once - nice guy). Both of them are gone now.
The only musical things I don't let in the house are angry "gangsta" rap; howlin' dawg country laments that induce dogs to sing along; and super heavy, beyond psychedelic, eardrum-bursting, clanging-guitar rock where you hope the guitar strings break before your bones do from the sound pressure. Otherwise, I'm fairly ecumenical in what I play on my own keyboards and what I play on the CD box.
When a synthesizer is involved, sometimes it can be fun. For instance, some of the classical realizations from Wendy Carlos (formerly known as Walter Carlos) are quite good. But Isao Tomita's work is hit-or-miss for me. Then again, I have to admit I rather liked the primitive electronic tonalities from Forbidden Planet back in the 1950s.
Looks like this thread diverged from the topic, though. I guess flat Earthers don't want to know about how earthquake resonance from the interior mantle proves that the Earth isn't flat. The frequencies are a bit low, but they are definitely "music of the spheres." Well... "music of the sphere." OK, music of the oblate spheroid.
"Dimmer Skies are Safer Skies"
